جَمَاليَّاتُ التَّشْكِيْلِ الفَنِّيِّ فِي شِعْرِ خَالِدٍ الكَرَكِيِّ دِيْوَانِ- رَجْعِ الصَّهِيْلِ- أُنْمُوذَجًا

Authors

  • Hamzah Rabee

Abstract

This study investigates the artistic tools forms in Khaled Al-Karaki’s Poetry Divan“Neigh Returning” through: artistic language, poetic images, and intertextuality.It consists of more than one section which areintroduction thatinvolves the problem statement, objectives, scope, methodology, literature review and representation the concept of language formation and terminology, three chapters and conclusion. The study reveals that diverse displacement patterns are found in the language of Khaled Al-Karaki. It helps to shed the lights to the intentional imagination of the poet and the intended ideas, meanings, and emotions that the poet seeks to cover in his writing. After that, the references are stated at the end of the research. Lastly, a descriptive analytical approach is employed to look for the suitable poetic models to be analyzed.

Keywords: Artistic language, poetic image,

intertextuality, Khaled Al-Karaki, modern Jordanian poetry.

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Published

01/06/2025

Conference Proceedings Volume

Section

Social

How to Cite

جَمَاليَّاتُ التَّشْكِيْلِ الفَنِّيِّ فِي شِعْرِ خَالِدٍ الكَرَكِيِّ دِيْوَانِ- رَجْعِ الصَّهِيْلِ- أُنْمُوذَجًا. (2025). Jersah for Research and Studies, 25(2A). https://jrs.julms.com/jrs/jrs/article/view/224